Errant Epiphanies
A home for writing and creativity exercises

Archive for November, 2006

Writer, or Author?

Tuesday, November 14th, 2006

Sit down and put down everything that comes into your head and then you’re a writer. But an author is one who can judge his own stuff’s worth, without pity, and destroy most of it.
        –Colette (1873-1954)

Are you a writer, or an author?

There’s no judgment here. Some folks are better off as writers, and it’s a good thing for them–it’s a release, a relaxation, a self-exploration. Other folks want to be authors, and that means they have to do more than put words down on paper.

Which are you? And why?


Blank Journals

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Taking inspiration from odd sayings

Monday, November 13th, 2006

I wouldn’t have classified these as prompts–rather as the sort of humor list that folks mail around for fun–but this person has a point. Why not take a saying from one of those humor lists and use it as a prompt? Grab one of the items from the list linked to above and do one of the following:

  • Journal for 15 minutes about your thoughts regarding the quote.

  • Start a short story with a character repeating or thinking about the quote.
  • Use the quote anywhere within a short story.
  • Use it in an impromptu poem.
  • Free associate from the quote to come up with a story idea.
  • Use the attitudes represented or embodied by the quote to come up with an interesting character.

If you think of any other possibilities, feel free to post them as comments!


“Did I say I wanted to hear your entire plot?”

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Shattered

Thursday, November 9th, 2006

Today, tell the story of this photograph (click through for larger version and photographer info).

True, the photograph is manipulated and surreal, but take its shattered image as figurative inspiration. Who is this woman? What has happened to her? Why has her world or image shattered? How has her world been manipulated?

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Fit for a king

Wednesday, November 8th, 2006

Today you’ll depict a feast prepared for a king, described (in the first or third person) from the point of view of someone preparing or attending the feast. Some possibilities are:

  • The chef

  • An assistant to the chef
  • A serving lad or lass
  • The king
  • Other dignitary
  • The king’s spouse or child
  • A host throwing the feast for the king, or the host’s spouse or child

Of course, part of this is about describing the wondrous feast and all it entails–scents, flavors, textures. Part of it is about atmosphere–both the physical style of the setting and the emotional overtones and undertones (after all, any feast thrown for a king is going to be about something, probably something important, now isn’t it?). Part of it is about taking something generic and ubiquitous (”a feast fit for a king”) and turning it into something uniquely yours, with a flavor all its own.


Pope - Art Not Chance Dark T-Shirt

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Ghostly prayer

Tuesday, November 7th, 2006

Click through the thumbnail below (for the larger, clearer version, as well as photographer info if desired) and examine the photograph in detail. This photograph is your plot–write a short-short story around it.

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Analyze your own writing “style”

Monday, November 6th, 2006

Today, take a finished piece of your own writing, preferably one you haven’t looked at in at least a month; pull out a short piece of it, no more than three pages long, preferably something discrete (if you have a chapter or other section that short, great; otherwise, break it arbitrarily somewhere). Take a blank sheet of paper and a pen, and, with as dispassionate an eye as possible, go through that piece of writing and note any elements of style you find. Do not use judgmental terms; this isn’t an analysis of quality (for instance, you might write “uses many adjectives and adverbs”, but don’t get tempted to write “uses too many adjectives and adverbs”).

You’re looking for anything that stands out as being an element of your personal writing style, those things you tend to do unconsciously that leave your verbal “fingerprint” on a piece. Are there any phrases you use repeatedly? Do you use many qualifying words (might, perhaps, a little, I think)? Do you use passive or active voice? Do you use predominantly one or two senses, or all of them? Do you tend to describe characters’ voices more than other aspects of them?

Anything that you think distinguishes your writing should appear in your list.

When you’re done, go back through that list and, on a separate piece of paper, write your impressions of those distinguishing features. Which ones do you like? Which ones do you not like? Which ones do you want to explore further, diminish, or change in some way? How can you go about exploring your own, unique voice while improving the quality of your writing? As you write later things, keep this self-analysis nearby. Now and then, do it again with a new, more recent piece of writing and compare the new list to the old one.


Character Dictation Tile Box

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A little NaNoWriMo encouragement

Saturday, November 4th, 2006

I expect this blog won’t be quite so useful to folks this month, since many people will be off working on National Novel-Writing Month. That won’t stop me from continuing to post stuff for those of you who aren’t doing it this year, or those of you who are but need ten or twenty minutes of warm-up on something totally different. (Not to mention it adds to the archived volume of stuff to go through for folks who want a selection to look through later.) Just don’t let exercises distract you from your NaNo projects!

If you’re a reader and participating in NaNo, drop by at the end of the month and let me know how you did! (Or use this thread to rejoice/vent about your progress so far.) I haven’t tried it yet, largely due to being more comfortable with non-fiction than fiction. I’d love to see a non-fiction version of NaNo, but I also do want to give it a shot one of these years.

If you, like me, decided not to do NaNo this year but want to do it at some point, then make this your exercise today: free-write a list of ideas for future NaNo projects. Then keep that list around somewhere. Occasionally add to it, or brainstorm further details for any ideas that particularly appeal to you. Don’t start actually writing it, though, unless you really can’t help yourself–store up that energy and inspiration for the next NaNo!


Blank Journals

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Breaking Stereotypes

Friday, November 3rd, 2006

Apparently a Second Lieutenant in the Air Force was selected as Miss Arkansas. This makes a great real-world lesson in breaking stereotypes. Being a beauty queen doesn’t make her too delicate to break a nail, nor too dumb to be the deputy chief of Public Affairs for an airlift wing. Being in the military doesn’t somehow make her too masculine to be a beauty queen. Keep things like this in mind when creating your characters. Not all characters have to break stereotypes so obviously, but they should always have depth to them beyond the obvious archetypes and common assumptions.

Today, go through a piece of your writing (or if you don’t have something appropriate, pick a piece of published fiction you’re reading now or have read recently). List the names of a few major characters across the top of a sheet of paper. First, list ways in which they fit a stereotype or archetype. Next, list ways in which they bend, twist, break, or go beyond those types. If they don’t, then think of a few ways in which they could.


Character Dictation Tile Box

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Story Starters: A little pain

Thursday, November 2nd, 2006

Use one of the following snippets as a story starter. Obviously edit as appropriate when you go back later; they’re just to get you started:

  • I thought I’d die when the pain shot up from my shoulder through the back of my neck.

  • It was a weird kind of pain, that itched more than it hurt.
  • She clenched both hands around the key in the lock, determined to open the door on her own; pain shot through her overtaxed tendons.

Pain can be a great way to get to know a character. Pain can bring out the best (or worst) in a character. Pain spurs tears, anger, nausea, or quiet determination. Put your fictional character into a painful situation–however difficult that may be–and you’ll really get to know her.


Blank Journals

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Portraiture

Wednesday, November 1st, 2006

I often find that one of the best ways to come up with fascinating fictional characters on demand is to go looking for fascinating portrait photographs and artwork on the web. Take an image and imagine what that person would be if she were a character in your fictional world. Today, do that with the following photograph (click through for the larger version and photographer information) or look through the rest of photo.net (my favorite source of inspiring photographs) for one that speaks to you or your needs:

What is this woman thinking? Why does she look to the ground–is there some shame or sorrow that bows her head, or does respect or awe lower her gaze? Who is observing her, and what are their thoughts?

You can also use such images as “story starters”–imagine that your story begins in that image, and take it from there.

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